| Volume 8 Issue 1 (2018.1) Content | Author | 
|---|
| Frontier Focus | 
| Peace-cooperativism: Constructing a “Theory of General Security” | Yu Xiaofeng | 
| Plural Culture: Spectacle, Sharing, Inter-sharing | Gao Xiaokang | 
| The Digital Dissemination of Knowledge and the Role Reconstruction of Intellectuals | Xia Deyuan | 
| Controversy over Current Issues | 
Further Arguments on the Basic Elements of the Broad-Sense Logical Paradox:   Reply to Professor Chen Bo and Professor Wang Tiansi |  Zhang Jianjun | 
| Inspection on Historical Anthropology and Its Issues |  Xiao Tian | 
| China Forum on history and culture | 
| On the Oracle Bone Character of Tu: A Study on the Underclass Laborers in Society of Shang Dynasty |  Chao Fulin | 
The Spiritual World Hidden behind the Appearance of History: The Ideological Correspondence  between Empress Dowager Chang of Northern Wei and the Princess of Dai State |  Li Ping | 
| The Interchange of Information between Shanghai and Macao in the perspective of the Zhixin Bao |  Xiong Yuezhi | 
“Three groups” big shots of the late Qing Dynasty and “two as a whole” of Beiyang Nanyang:  and from the aspects of system and the actual power reflection of the pattern | Dong Conglin | 
| Thinker’s Salon | 
| Value perception and ethical act: The connections on thought between Husserl and Hildebrand |  Ni Liangkang | 
| The Principle of “Spiritual Noumenon” Concealed in Analects |  Hu Shuijun | 
Moving towards the Universal Good from endlessly Reproducing of Ren:  Concurrently Discussing Yang Dongming’s Universal Love and Care | Xiang Shiling | 
| Overseas Express | 
The Universality and the Particularity of the European welfare  state: On the solution of institutional drag |  Chen Xiaolv | 
How to Deal with Poverty and Eliminate Poverty: From the Poverty Perspective  and Its Policy Transformation in the Course of Human Society |  Lin Mingang | 
| Research of New Literature in China | 
| On the Ecological Dimension of Mo Yan’s Literary World | Wang Hongyue | 
| The World Significance of Gao Xingjian’s Drama experiment | Song Binghui |